Dionysian Renaissance: Bacchic Inspiration, Imagery of Wine & Vine in European Art (1430-1630)

The book Renaissance dionysiaque by Philippe Morel offers an in-depth exploration of the figure of Bacchus and his influence on European art between 1430 and 1630. This ancient god, an embodiment of intoxication, fertility, and creativity, is at the heart of Renaissance artistic representations.

During this period, artists rediscovered the ancient heritage, seeking to integrate pagan and Christian symbols into a harmonious vision. Bacchus, more than just a god of intoxication, becomes a symbol of artistic inspiration and metaphysical contemplation.

Major artists like Bellini, Titian, Michelangelo, Raphael, Caravaggio, and Rubens explored this theme through major works, highlighting the many facets of the Dionysian myth: excess and moderation, burlesque and philosophy, popular and aristocratic, triviality and elevation.

The book shows how the Renaissance achieved a fusion of seemingly contradictory traditions, particularly through representations such as the Christ-vine and the mystical press. This vision renews the perspective on the ancient chthonic deity, which becomes a vector of salvation in a Christian perspective.

With its 880 pages, this book stands as an essential reference for enthusiasts of art, history, and ancient symbolism.

Article Features:

• Format: Paperback

• EAN13: 9782866458188

• ISBN: 978-2-86645-818-8

• Publisher: Éditions du Félin

• Publication Date: February 19, 2015

• Collection: LES MARCHES DU TEMPS

• Number of Pages: 880

• Dimensions: 23 x 15 x 4.7 cm

• Weight: 1744 g

• Language: French