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A millionaire architect who started from nothing, Céline Wachowski has her own series on Netflix and contracts all over the world. A muse of modernity, she is convinced that she brings beauty to the world.
But now, her most ambitious project is stopped dead in her tracks by a controversy: accused of promoting gentrification, she sees her strategy and working methods condemned. Within a few days, she is fired from her own company, and begins a journey through the desert that leads her to a meditation on guilt.
When the elite lose their footing, what narrative do they devise to justify their privileges and establish their place in a world whose rules they themselves have established?
"We must remain attentive to the black rays that come from the depths of the ages and continue to obscure our world that is too white, too bright, Céline knows how to defend the need for opacity, it's a natural reflex, almost vital for her."
Kevin Lambert is 30 years old, and grew up in Chicoutimi, Canada. Holder of a doctorate in creative writing, very involved in the Quebec art scene, he has been a bookseller and participates in the magazines Liberté and Spirale, as well as several Radio-Canada programs.
Let Our Joy Remain confirms and amplifies the scope of Querelle, which revealed it to the public in 2019 (winner of the Sade Prize, Wepler and Medici selections).
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